![]() ![]() On the occasion of International children’s day, if you know. Whether you like exotica or easy listening or not, these are excellent records.įaith also wrote several film scores, including the Oscar-nominated "Love Me or Leave Me," "Tammy Tell Me True," and "The Oscar." He was a popular arranger with Columbia's stable of singers, and backed most of them more than once: Tony Bennett, Doris Day, and Johnny Mathis all considered him among their favorite accompanists. The Global Child Prodigy Awards is the first and only organization to recognize the talents from various countries and backgrounds, having extreme competency in their field of interest such as painting, modeling, writing, entrepreneurship, martial art, music, social work, etc. There is nothing demure about these recordings: Faith puts splashy trumpets and powerful trombones right up front, and fills every corner of the room with sounds. When Faith appreciated his material, though, he put out his best effort-his albums of Mexican and Cuban music ("Viva!," "Malaguena") are good examples. And with that many albums, there is a certain amount of crap to be expected. He worked strings, woodwinds, and brass together so seamlessly that the result often achieves a surface of schmaltz that belies the fine work underneath. Like Conniff, Faith's worst sin may have been that of being too good a craftsman. Conniff and Faith also served as the foundation for the Columbia Record Club, the mail-order outlet that was middle America's primary source of albums. Faith's strings and Ray Conniff's choral band gave Columbia a one-two punch that dominated easy listening sales for nearly three decades and now fills the shelves of thrift stores around the country. Faith began recording instrumentals under his own name in 1951 and soon had a #1 hit with his adaptation of a popular Brazilian song, "Delicado." Faith had three #1 hits: "Delicado" in 1952 "Theme from 'Moulin Rouge'" in 1953, and "Theme from 'A Summer Place'" in 1960.īetween 19, Faith recorded something like 85 albums for Columbia. By 1950, he was working for Mitch Miller at Columbia, who found Faith's rich but not overbearing string work perfect for the sound he was trying to cultivate. He moved to New York City and worked in radio for a while until he joined the A&R staff of Decca. ![]() In 1940, Faith moved to Chicago and became a naturalized citizen a few years later. He switched to arranging and conducting, working in hotel and theater orchestras in Toronto and eventually landing his own radio show on CBC in 1938. Faith was a child prodigy on the piano, but his hopes for a career as a concert pianist ended when he injured his hands in a fire when he was 18. One of the founding fathers of easy listening, but not always the purveyor of pablum he's made out to be. Died 9 February 1976, Encino, California.Laurier Fagnan’s series, La série enchantée. It is the second arrangement of three songs by La Bolduc, originally entitled, La Bolduc en fête. This piece was premiered in 2007 as a commission by the CBC and was directed by Zimfira Poloz at the CBC-McGill Youth Gala Concert in Montréal. La Bolduc’s tongue-in-cheek tone is found even here in her non-political song. She wrote mainly political and satirical songs, but also a number of New Year’s songs, although this particular one is a Christmas song. Le bas de Noël, depicts the antics of a family as they meet to celebrate Christmas together. She popularized the well-known turlutte (French Canadian mouth music) that is now synonymous with Québecois folk song. Often considered to be Quebec’s first singer-songwriter, Mary Travers (known as “La Bolduc”) hit the peak of her career in the 1930s. Remove stockings from the mantel when the fireplace is in use! Optional violin and accordion parts are available upon request – no charge Erica Phare-Bergh, text by Mary Travers known as “La Bolduc” She is passionate about building cultural bridges through her arrangements of French choral music with Cypress.Īrr. She and her husband, Rick, write children’s books together (A Song with Every Story Series), in which Erica incorporates both original songs and classical music into children’s stories. Now living in Victoria, British Columbia, she directs the Voices-in-Motion Choir, an intergenerational choir for those with Alzheimer’s. She is in demand as an adjudicator and presenter and was the guest conductor for the 10th Anniversary of the CBC-McGill Youth Gala. She married and moved to Calgary in 2010, where she directed the choirs at William Aberhart High School, as well as Westwinds Green Choir, Savridi Singers and taught Music and French with the Calgary Board of Education. A native of Montreal, she directed numerous choirs there from 1988-2010, including the Vanier College Choirs and the McGill Conservatory Choirs. in Choral Conducting from McGill University. ![]()
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